Volume2Issue3

From Emotion to Action: Understanding Procrastination through Emotional Intelligence

Author: Chandradev Pal DOI Link: https://doi.org/10.70798/PP/020300053 Abstract: Procrastination, particularly in academic and professional contexts, has long been recognized as a pervasive behavioral challenge that undermines productivity, performance, and psychological well-being. Traditionally viewed as a failure of time management or selfdiscipline, contemporary research increasingly conceptualizes procrastination as an emotion-driven phenomenon rooted in difficulties of emotional regulation […]

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Natyashastra to the Postcolonial Stage: Tradition, Colonialism and Resistance in Indian Theatre

Author: Dr. Aparna Das DOI Link: https://doi.org/10.70798/PP/020300054 Abstract: Indian Theatre traces a continuous history of dramaturgy from Bharata’s Natyashastra to the post colonial present. Folk- Modern Hybridity in Indian theatre after 1947 constitutes decentring the European drama by exploring the indigenous thematic concepts. It is also accomplished through the narrative techniques that the post- independent

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Examining the Effeteness of the 2-year B.Ed. Programme in Odisha— A study of Structure and Curriculum

Author: Prof. (Dr.) Pradipta Kumar Mishra DOI Link: https://doi.org/10.70798/PP/020300055 Abstract: The study aims to assess the extent to which the existing two-year B.Ed. programme in Odisha fulfils the promises of NCTE Regulations, 2014 with respect to duration, working days, admission procedures, intake capacity and fee structure under the purview of structure and curriculum design as

Examining the Effeteness of the 2-year B.Ed. Programme in Odisha— A study of Structure and Curriculum Read More »

Natyashastra to the Postcolonial Stage: Tradition, Colonialism and Resistance in Indian Theatre

Author: Dr. Aparna Das DOI Link: https://doi.org/10.70798/PP/020300054 Abstract: Indian Theatre traces a continuous history of dramaturgy from Bharata’s Natyashastra to the post colonial present. Folk- Modern Hybridity in Indian theatre after 1947 constitutes decentring the European drama by exploring the indigenous thematic concepts. It is also accomplished through the narrative techniques that the post- independent

Natyashastra to the Postcolonial Stage: Tradition, Colonialism and Resistance in Indian Theatre Read More »

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